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Merge Audio

Audio Joiner

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How to Merge Audio Files

1 Upload every file you want combined — at least two of them.
2 Drag the uploaded items into the order you want; the order is taken from the list, not from the filenames.
3 Start the merge, which joins matching inputs without re-encoding them and reconciles mismatched ones exactly once.
4 Download the single combined Audio file.

Merge Audio FAQ

Can I control the order things are joined in?
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Yes — drag the uploaded items into the order you want before starting. Order is taken from the list, not from the filenames, so "IMG_2.jpg" sorting after "IMG_10.jpg" is not a problem you have to solve first.
On the free tier a merge accepts two files at a time, which is deliberately higher than the single-file limit on other tools because merging one file is meaningless. A pass removes the cap entirely.
It is whenever the inputs already agree — the encoded data is copied straight through. It stops being lossless only when the inputs disagree and something has to be re-encoded to make them compatible, and even then it is one pass, not one per file.
Concretely, matching inputs are concatenated by copying encoded frames and mismatched ones are normalised once, so the join is as cheap as the source material allows. Upload everything you want combined and the result comes back as a single file.
Yes. The set queues in parallel with identical settings, which is how you process an album or a podcast back catalogue without repeating yourself.
No. Merge Audio is free with no account, and nothing is added to the audio. Uploads are deleted from the workers shortly after the job completes.
MP3, WAV, AAC, M4A, FLAC, OGG, Opus, WMA and AIFF. Codecs are detected from the stream rather than the extension, so a mislabelled file still works and a mixed batch is handled per file.
It depends on the source. Lossless input (WAV, FLAC, AIFF) is edited sample-exactly and loses nothing. Lossy input has already discarded detail once, so where the job can be done by copying the encoded stream rather than re-encoding it, that is the path taken.
JPEG.to is built around the format that carries nearly every photograph in existence — thirty years old, opened by literally everything, and still the right default for a photographic image. The jobs people bring here are the ones a photograph collects over its life — too big to email, wrong dimensions for a form, wrong way up out of a phone. Merge Audio runs on the same upload and the same account as the conversions because that is where those jobs land.
The converter on this site moves images to and from JPEG, PNG, WebP and HEIC, which is where the trade between file size and one more generation of loss gets settled. Deciding the format last rather than first is the whole point: every extra save of a photographic image is another generation, and the fewer of them you spend, the more of the picture survives.
Yes — the same libraries, the same workers, the same caps. The difference is which advice is on the page, and here that advice is built on one property of the format the site is named after: the .jpeg and .jpg extensions are the same bitstream, so nothing here behaves differently from a .jpg — only the filename changes.
Nothing is kept and no account is needed. Uploads are removed from the workers shortly after the job finishes; nothing is looked at, listed or indexed. An account buys history and larger batches, not access.

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