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Video Cutter

Video Trimmer with Exact Timecodes

Opt for your files

*Files deleted after 24 hours

Specify the start and end time for the portion you want to keep.

Format: HH:MM:SS (e.g., 00:01:30 for 1 minute 30 seconds)

Transform up to 1 GB files free, Pro users can convert up to 100 GB files; Sign up now

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How to Cut and Trim Video

1 Upload the videos you want to cut.
2 Drag the start and end handles on the waveform or the timeline, or type exact timecodes if you already know them.
3 Preview the selection and run the cut — the part you keep is copied through untouched wherever the format allows it.
4 Download the trimmed Video file.

Video Cutter FAQ

How precisely can I place the start and end points?
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You can type exact timecodes rather than only dragging, and the preview scrubs to the position as you move it. How exact the result can be depends on the format: some allow a cut anywhere, others snap to the nearest frame or keyframe.
Yes — cut the piece before it and the piece after it, then merge the two results. That is deliberately two steps because it keeps both halves on the fast, lossless path instead of forcing a full re-encode.
Not if the format allows a stream copy — the data you keep is bit-identical to the source and the job finishes in about the time the upload took. Only a frame-exact cut on a format that cannot do it cheaply needs a re-encode.
Concretely, the cut is stream-copied at a keyframe boundary wherever possible, so most clips trim in seconds regardless of how long the source was. You set the start and end points on the waveform or the timeline and keep what is between them.
Yes, and it matters here more than anywhere else — video jobs run in minutes, so queueing the batch in parallel is the difference between one wait and several.
No. Video Cutter is free without an account, and the output has no watermark, corner logo or intro card. Uploaded video is deleted from the workers shortly after the job completes.
MP4, MOV, MKV, WebM, AVI, WMV, FLV, 3GP, M4V, MPEG and MPG. Each file is probed for its real container and codec before anything runs, so a mixed batch is handled correctly file by file.
Only if the operation requires re-drawing frames. Container-level and timeline-level work is done as a stream copy, which is bit-identical to the source and finishes in seconds. Anything that must re-encode does so at a quality level you choose.
JPEG.to is built around the format that carries nearly every photograph in existence — thirty years old, opened by literally everything, and still the right default for a photographic image. The jobs people bring here are the ones a photograph collects over its life — too big to email, wrong dimensions for a form, wrong way up out of a phone. Video Cutter runs on the same upload and the same account as the conversions because that is where those jobs land.
The converter on this site moves images to and from JPEG, PNG, WebP and HEIC, which is where the trade between file size and one more generation of loss gets settled. Deciding the format last rather than first is the whole point: every extra save of a photographic image is another generation, and the fewer of them you spend, the more of the picture survives.
Yes — the same libraries, the same workers, the same caps. The difference is which advice is on the page, and here that advice is built on one property of the format the site is named after: the .jpeg and .jpg extensions are the same bitstream, so nothing here behaves differently from a .jpg — only the filename changes.
Nothing is kept and no account is needed. Uploads are removed from the workers shortly after the job finishes; nothing is looked at, listed or indexed. An account buys history and larger batches, not access.

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