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Compress Video

Video File Size Reducer

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*Files deleted after 24 hours

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Transform up to 1 GB files free, Pro users can convert up to 100 GB files; Sign up now

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How to Compress Video

1 Drop your videos into the box above, or pick them from your device — there is nothing to install and no account to create.
2 Choose how hard to squeeze: a quality or bitrate target, and optionally smaller dimensions if size matters more to you than detail.
3 Start the job and let the workers re-pack the file; your original is never modified in place.
4 Compare the new size against the original, then download the compressed Video file.

Compress Video FAQ

How much smaller will my file get?
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That is decided by the content, not by the tool. Photographic detail and film grain resist compression; flat colour, text and silence collapse. A realistic expectation is a large reduction on anything with big uniform regions and a modest one on a busy photograph or a high-motion clip.
Compressing the same file repeatedly. Each pass on a lossy format is a fresh generation of loss and the savings shrink while the damage accumulates. Go from the original to your target in one step, and keep the original.
A single compressed file per input, at a quality or bitrate level you choose rather than a fixed default. If the result is not small enough, changing the dimensions or the duration will do more than pushing the quality slider further down.
Concretely, each file is probed first, then re-encoded at the CRF you set with the picture optionally scaled, so a mixed batch of containers is handled per file rather than assumed uniform. Nothing about it depends on you installing software: the job runs server-side and hands back a finished file.
Yes, and it matters here more than anywhere else — video jobs run in minutes, so queueing the batch in parallel is the difference between one wait and several.
No. Compress Video is free without an account, and the output has no watermark, corner logo or intro card. Uploaded video is deleted from the workers shortly after the job completes.
MP4, MOV, MKV, WebM, AVI, WMV, FLV, 3GP, M4V, MPEG and MPG. Each file is probed for its real container and codec before anything runs, so a mixed batch is handled correctly file by file.
Only if the operation requires re-drawing frames. Container-level and timeline-level work is done as a stream copy, which is bit-identical to the source and finishes in seconds. Anything that must re-encode does so at a quality level you choose.
JPEG.to is built around the format that carries nearly every photograph in existence — thirty years old, opened by literally everything, and still the right default for a photographic image. The jobs people bring here are the ones a photograph collects over its life — too big to email, wrong dimensions for a form, wrong way up out of a phone. Compress Video runs on the same upload and the same account as the conversions because that is where those jobs land.
The converter on this site moves images to and from JPEG, PNG, WebP and HEIC, which is where the trade between file size and one more generation of loss gets settled. Deciding the format last rather than first is the whole point: every extra save of a photographic image is another generation, and the fewer of them you spend, the more of the picture survives.
Yes — the same libraries, the same workers, the same caps. The difference is which advice is on the page, and here that advice is built on one property of the format the site is named after: the .jpeg and .jpg extensions are the same bitstream, so nothing here behaves differently from a .jpg — only the filename changes.
Nothing is kept and no account is needed. Uploads are removed from the workers shortly after the job finishes; nothing is looked at, listed or indexed. An account buys history and larger batches, not access.

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