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Mute MP4

MP4 Sound Stripper

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How to Remove the Audio from MP4

1 Upload the MP4 videos whose soundtrack you want gone.
2 Confirm that you want the audio track dropped entirely rather than turned down to silence.
3 Run it — the track is removed at the container level and the picture is copied through untouched, so it finishes in seconds.
4 Download the silent MP4 file, which is also smaller than what you started with.

Mute MP4 FAQ

Is the video re-encoded when I mute it?
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No. Removing a track is a container operation, so the video stream is copied through bit-identically and the job finishes in seconds regardless of how long the clip is.
Muting removes the audio entirely. If a file carries several language tracks and you want to keep one, that is a track selection job rather than a mute, and it needs the conversion tools instead.
Mute. A silent track still occupies bitrate and still has to be decoded by the player; dropping it makes the file smaller and removes any chance of it being unmuted downstream.
Concretely, the audio track is dropped from the container and the video stream is copied through untouched, so the operation is instant and the picture is bit-identical to the source rather than re-encoded. The result is the same picture with no audio track at all, rather than an audio track turned down to zero.
Yes. Uploads queue in parallel, which matters more here than anywhere else because video jobs are minutes rather than seconds. Free accounts run one file at a time; a pass lifts that.
No. Mute MP4 is free without an account, and the output carries no watermark, no corner logo and no intro card. Uploaded video is deleted from the workers shortly after the job completes.
MP4, MOV, MKV, WebM, AVI, WMV, FLV, 3GP, M4V, MPEG and MPG. The container and codec are probed before anything runs, so a mixed batch is handled correctly per file rather than assumed to be uniform.
It depends on whether the job needs a re-encode. Operations that only touch the container or the timeline are done as a stream copy and the picture is bit-identical to the source. Anything that has to redraw frames goes through x264/x265 at a quality level you set, where CRF 23 is visually transparent on most footage.
JPEG.to is built around the format that carries nearly every photograph in existence — thirty years old, opened by literally everything, and still the right default for a photographic image. The jobs people bring here are the ones a photograph collects over its life — too big to email, wrong dimensions for a form, wrong way up out of a phone. Mute MP4 runs on the same upload and the same account as the conversions because that is where those jobs land.
The converter on this site moves images to and from JPEG, PNG, WebP and HEIC, which is where the trade between file size and one more generation of loss gets settled. Deciding the format last rather than first is the whole point: every extra save of a photographic image is another generation, and the fewer of them you spend, the more of the picture survives.
Yes — the same libraries, the same workers, the same caps. The difference is which advice is on the page, and here that advice is built on one property of the format the site is named after: the .jpeg and .jpg extensions are the same bitstream, so nothing here behaves differently from a .jpg — only the filename changes.
Nothing is kept and no account is needed. Uploads are removed from the workers shortly after the job finishes; nothing is looked at, listed or indexed. An account buys history and larger batches, not access.

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