Free plan: 1 conversion/hour, 1 file at a time
Go Unlimited →

Flip MOV

MOV Mirror Tool

Opt for your files

*Files deleted after 24 hours

Transform up to 1 GB files free, Pro users can convert up to 100 GB files; Sign up now

Uploading

0%

How to Flip MOV

1 Upload the MOV videos you want mirrored.
2 Choose the axis — horizontal gives you a mirror image, vertical an upside-down reflection.
3 Apply the flip, then check any text, logos or numbers in the preview, because those mirror along with everything else.
4 Download the flipped MOV file.

Flip MOV FAQ

What is the difference between flipping and rotating?
+
A flip reverses the content across an axis and produces a mirror image; a rotation turns it without reversing anything. Text is the giveaway: it reads backwards after a flip and stays readable after a rotation.
Correcting a scan or a webcam capture that came out mirrored, making a symmetrical pair from a single asset, or matching the direction a subject faces to a layout. If the content contains text, logos or numbers, check the result — those mirror too.
Yes. The same axis is applied to every file in the batch, which is how you fix a whole folder of mirrored captures in one pass instead of one at a time.
Concretely, a horizontal or vertical flip is applied as a filter, which needs a re-encode because the coded frames themselves change; the audio stream is copied through untouched. You choose the axis — horizontal produces a mirror image, vertical produces an upside-down reflection — and the whole file is transformed on it.
Yes. Uploads queue in parallel, which matters more here than anywhere else because video jobs are minutes rather than seconds. Free accounts run one file at a time; a pass lifts that.
No. Flip MOV is free without an account, and the output carries no watermark, no corner logo and no intro card. Uploaded video is deleted from the workers shortly after the job completes.
MP4, MOV, MKV, WebM, AVI, WMV, FLV, 3GP, M4V, MPEG and MPG. The container and codec are probed before anything runs, so a mixed batch is handled correctly per file rather than assumed to be uniform.
It depends on whether the job needs a re-encode. Operations that only touch the container or the timeline are done as a stream copy and the picture is bit-identical to the source. Anything that has to redraw frames goes through x264/x265 at a quality level you set, where CRF 23 is visually transparent on most footage.
JPEG.to is built around the format that carries nearly every photograph in existence — thirty years old, opened by literally everything, and still the right default for a photographic image. The jobs people bring here are the ones a photograph collects over its life — too big to email, wrong dimensions for a form, wrong way up out of a phone. Flip MOV runs on the same upload and the same account as the conversions because that is where those jobs land.
The converter on this site moves images to and from JPEG, PNG, WebP and HEIC, which is where the trade between file size and one more generation of loss gets settled. Deciding the format last rather than first is the whole point: every extra save of a photographic image is another generation, and the fewer of them you spend, the more of the picture survives.
Yes — the same libraries, the same workers, the same caps. The difference is which advice is on the page, and here that advice is built on one property of the format the site is named after: the .jpeg and .jpg extensions are the same bitstream, so nothing here behaves differently from a .jpg — only the filename changes.
Nothing is kept and no account is needed. Uploads are removed from the workers shortly after the job finishes; nothing is looked at, listed or indexed. An account buys history and larger batches, not access.

Rate this platform
5.0/5 - 0 votes
ns6.com — Your domain, done right. Free privacy and DNS included.
Or land your files here