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Flip JPEG

JPEG Mirror Tool

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How to Flip JPEG

1 Upload the JPEG images you want mirrored.
2 Choose the axis — horizontal gives you a mirror image, vertical an upside-down reflection.
3 Apply the flip, then check any text, logos or numbers in the preview, because those mirror along with everything else.
4 Download the flipped JPEG file.

Flip JPEG FAQ

What is the difference between flipping and rotating?
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A flip reverses the content across an axis and produces a mirror image; a rotation turns it without reversing anything. Text is the giveaway: it reads backwards after a flip and stays readable after a rotation.
Correcting a scan or a webcam capture that came out mirrored, making a symmetrical pair from a single asset, or matching the direction a subject faces to a layout. If the content contains text, logos or numbers, check the result — those mirror too.
Yes. The same axis is applied to every file in the batch, which is how you fix a whole folder of mirrored captures in one pass instead of one at a time.
Concretely, a horizontal or vertical mirror is a lossless DCT transform, so the file is rewritten without decoding and re-encoding the image at all — the output is pixel-identical to a mirrored original. You choose the axis — horizontal produces a mirror image, vertical produces an upside-down reflection — and the whole file is transformed on it.
Yes. Drop the whole set into the upload area and they queue in parallel with identical settings — that is the main reason to do this in a browser rather than one file at a time in an editor. Free accounts run one file per batch; a pass lifts that.
No. Flip JPEG is free with no account, no watermark on the output and no signup wall in front of the download. Uploads are deleted automatically a short time after the job finishes.
Anything in the lossy raster family — JPG, JPEG, JFIF and WebP — plus the lossless formats (PNG, BMP, TIFF) if you want to mix them in one batch. The format is read from the file header, not the extension, so a photo saved with the wrong suffix still goes through.
A lossy source is already the result of one quantisation pass, and any operation that has to re-encode adds a second. Where the job can be done without touching the pixel data we do that instead, and where it cannot you choose the quality factor yourself rather than getting a fixed default.
JPEG.to is built around the format that carries nearly every photograph in existence — thirty years old, opened by literally everything, and still the right default for a photographic image. The jobs people bring here are the ones a photograph collects over its life — too big to email, wrong dimensions for a form, wrong way up out of a phone. Flip JPEG runs on the same upload and the same account as the conversions because that is where those jobs land.
The converter on this site moves images to and from JPEG, PNG, WebP and HEIC, which is where the trade between file size and one more generation of loss gets settled. Deciding the format last rather than first is the whole point: every extra save of a photographic image is another generation, and the fewer of them you spend, the more of the picture survives.
Yes — the same libraries, the same workers, the same caps. The difference is which advice is on the page, and here that advice is built on one property of the format the site is named after: the .jpeg and .jpg extensions are the same bitstream, so nothing here behaves differently from a .jpg — only the filename changes.
Nothing is kept and no account is needed. Uploads are removed from the workers shortly after the job finishes; nothing is looked at, listed or indexed. An account buys history and larger batches, not access.

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