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Rotate AVI

Orientation Fixer for AVI

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How to Rotate AVI

1 Upload the AVI videos that came out the wrong way round.
2 Pick a quarter turn or a half turn, or type an arbitrary angle and choose a colour for the corners it will expose.
3 Apply the rotation; the pixels and the orientation flag are reconciled so every viewer agrees on which way is up.
4 Download the rotated AVI file.

Rotate AVI FAQ

Can I rotate by an arbitrary angle, not just 90 degrees?
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Yes, though the two are different operations underneath. A multiple of 90 degrees rearranges existing data; any other angle has to rebuild the grid and fill the corners, so it costs a resample and usually wants a background colour choosing.
Because the orientation is stored as an EXIF flag rather than in the pixels, and not every viewer honours it. Rotating here normalises the two — the pixels and the flag end up agreeing, so the file looks the same everywhere.
Yes. The same rotation is applied across every file you upload, which is the practical fix for a folder of scans or camera output that all came in the wrong way round.
Concretely, a rotation flag is written into the container where the target supports one, which needs no re-encode at all; where it does not, the frames are transposed and the stream is re-encoded once. Quarter turns and half turns are the common case and take the cheapest path available for the format.
Yes. Uploads queue in parallel, which matters more here than anywhere else because video jobs are minutes rather than seconds. Free accounts run one file at a time; a pass lifts that.
No. Rotate AVI is free without an account, and the output carries no watermark, no corner logo and no intro card. Uploaded video is deleted from the workers shortly after the job completes.
MP4, MOV, MKV, WebM, AVI, WMV, FLV, 3GP, M4V, MPEG and MPG. The container and codec are probed before anything runs, so a mixed batch is handled correctly per file rather than assumed to be uniform.
It depends on whether the job needs a re-encode. Operations that only touch the container or the timeline are done as a stream copy and the picture is bit-identical to the source. Anything that has to redraw frames goes through x264/x265 at a quality level you set, where CRF 23 is visually transparent on most footage.
JPEG.to is built around the format that carries nearly every photograph in existence — thirty years old, opened by literally everything, and still the right default for a photographic image. The jobs people bring here are the ones a photograph collects over its life — too big to email, wrong dimensions for a form, wrong way up out of a phone. Rotate AVI runs on the same upload and the same account as the conversions because that is where those jobs land.
The converter on this site moves images to and from JPEG, PNG, WebP and HEIC, which is where the trade between file size and one more generation of loss gets settled. Deciding the format last rather than first is the whole point: every extra save of a photographic image is another generation, and the fewer of them you spend, the more of the picture survives.
Yes — the same libraries, the same workers, the same caps. The difference is which advice is on the page, and here that advice is built on one property of the format the site is named after: the .jpeg and .jpg extensions are the same bitstream, so nothing here behaves differently from a .jpg — only the filename changes.
Nothing is kept and no account is needed. Uploads are removed from the workers shortly after the job finishes; nothing is looked at, listed or indexed. An account buys history and larger batches, not access.

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